In her novel Zabelle, Nancy Kricorian depicts a character who represses her tragic past. Zabelle is very young when the Armenian Genocide takes place; she witnesses the deaths of members of her family, even seeing her mother slowly die of starvation in front of her eyes. Zabelle represents the few lucky ones who were able to survive because of personal strength and strings of good luck. Years later, Zabelle’s marriage is arranged to an older Armenian man in America, where she begins a new and very different life. Living under the same roof in a new country with her jealous mother-in-law and new husband, Zabelle faces many obstacles as an Armenian woman in a patriarchal culture. Nonetheless, she bravely assumes the role and raises 3 children. At times, her tragic past comes back to haunt her in her sleep, but it is not talked about. It does not interfere with everyday life, and “the effects of the experience are not apparent” (Caruth 8). It is only in her old age that Zabelle’s repressed tragedy unfolds as she hears voices from her past and imagines the Turks coming to harm her. Thus, Zabelle embodies Freud’s analysis of belated effects of a trauma, which he terms “latency.”
Zabelle is one of many Armenian-American works centered around the theme of loss, memory, and identity. In writing this novel, Nancy Kricorian shares more than just the story of Zabelle, for her story transcends the individual experience and acts as a unifying force for the Armenian diaspora spread throughout the world. In many ways, Zabelle is a “trauma novel,” which “refers to a work of fiction that conveys profound loss or intense fear on individual or collective levels (Balaev). In this paper, I will argue that the representation of trauma in Armenian-American literature, such as the Genocide in Nancy Kricorian’s Zabelle, serves to coalesce the Armenian diaspora’s sense of national identity. Therefore, this particular trauma, which has yet to be acknowledged as such by its perpetrators, serves a greater purpose for a dispersed population. Literary trauma, then, becomes a medium in which the Armenian community’s collective tragedy stands as a beacon to their national identity.
Sunday, April 25, 2010
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